Baudelaire was a 19th century French poet who desired to commemorate open numbers in prose form, often ch in anyenging new(prenominal) authors to do so (Benjamin 165). He finally took on this pushy butt himself when he wrote the book Twenty Prose Poems. The book consists of poetry without bike or rhyme. This seems to fit Baudelaires style almost abruptly because he often wrote controversial and unexplainable poetry. Many of the poems project an initial meaning, visible to the reader at first glance. Howalways windup to poems serve a great purpose. This extra meaning comes from distasteful images Baudelaire carefully constructs. This image or idea of a great purpose is also evident in The Great spue Massacre by Robert Darnton. The cats being killed in the essay lay out more than just that fact alone. It represents the lower class check back at the upper class, and proving that the cats life meant more to them than the peoples lives in the working class. Similarly, in Charles Baudelaires poem, Which is the True One? a nark image is created.
The poems character says to add emphasis to [his] refusal [he] struck the determination so violently with [his] bum that [his] leg sank knee-deep into the smart soil, and like a wolf caught in a trap, [he] remain[s] attached, for invariably perhaps, to the grave of the ideal (Baudelaire 61). What is the reason for his refusal? Why is he evil? Why is his refusal so intense? Is he unable to facility himself or just unwilling? He tells us: (with all upper case letters) ONCE he knew a girl, twic e It was [he] who buried her and utters his ! furious reply No! No! No! three times, before he violently strikes the ground with his rear (Baudelaire 61). Baudelaire leaves the reader with this disturbing image of... If you want to get a full essay, order it on our website:
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